
A masterclass in Belgian jazz-funk where liquid Fender Rhodes meets tight, syncopated grooves. Dark, cinematic, and perpetually moving through a neon-lit urban fog.
1973 · Endless Happiness (2)
This is the sound of a city that never quite wakes up, captured in the amber of 1970s analog tape. Marc Moulin and his ensemble create a sonic landscape that feels both incredibly tight and hallucinogenically fluid. The Fender Rhodes is the undisputed star here, dripping with a liquid, chorus-heavy texture that makes every chord progression feel like it is reflecting off a wet pavement. It is jazz-funk, but stripped of any sunshine or disco glitter, replaced instead by a brooding, Belgian cool that borders on the cinematic.
Cassette uses generative AI to enrich its catalog. How we use AI →