
1998 TRUMAN is a masterclass in sonic whiplash, capturing a group in the midst of a public and private metamorphosis. It begins as a frantic, industrial-leaning assault on the senses, defined by siren-like synthesizers and a relentless drum break that feels like it is constantly on the verge of collapsing.
The vocal performances from Merlyn Wood and Joba are particularly volatile, oscillating between high-pitched yelps and guttural screams that convey a sense of desperate urgency. This is the sound of a collective trying to outrun their own shadows, utilizing maximalist production to drown out the noise of their internal friction.
How does 1998 TRUMAN sound next to the rest of BROCKHAMPTON's catalogue?
This album stays in step with the catalogue across the board — no axis departs enough to be worth its own note. Hover the dots to see where each one sits.
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