
A decade of basement-recorded synth-pop sketches, where liturgical melodies collide with tape-saturated drum machines and existential baritone echoes.
July 16, 2012 · Ribbon Music
This isn't just a collection of leftovers; it's a map of a singular mind's evolution. It sounds like a transmission from a 1980s public access channel that has been warped by decades of magnetic interference. The production is unapologetically lo-fi, with every track swaddled in a thick layer of tape hiss and cavernous reverb that makes John Maus sound like he is singing from the bottom of a well or a cathedral basement. It is music that feels both ancient and futuristic, blending the rigid structures of Renaissance polyphony with the cheap, plastic textures of early home-recording gear.
How does A Collection of Rarities and Previously Unreleased Material sound next to the rest of John Maus's catalogue?
Melancholic saturates this record far more than the artist's norm.
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