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A Passage in Time
World · 1991 · 8 tracks

A Passage in Time

A curated journey through ancient cathedrals and ritualistic deserts. Lisa Gerrard’s glossolalia and Brendan Perry’s baritone echo across timeless, reverb-soaked landscapes.

October 21, 1991 · Mag Magic

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A Passage in Time serves as a majestic gateway into the middle period of Dead Can Dance, a time when they shed their post-punk skin to become something entirely unique: architects of a neoclassical, world-fusion soundscape. The album feels less like a collection of songs and more like a pilgrimage through forgotten European history and sun-scorched Eastern deserts. It is defined by a sense of immense space, where every note is bathed in a digital reverb so lush it feels like a physical environment. This is music that exists in the cracks between centuries, blending 80s synthesizers with the ancient textures of the hammered dulcimer and ritualistic hand percussion.

Tracklist · 8 Tracks
02
Song of Sophia
1:24
03
Ullyses
4:53
08
The Host of Seraphim
6:17
10
The Writing on My Father’s Hand
3:50
11
Severance
3:21
14
In the Kingdom of the Blind the One‐Eyed Are Kings
4:10
15
Bird
5:00
16
Spirit
5:00
Moments Worth Listening For
The moment the dual vocal tracks in 'The Host of Seraphim' intertwine to create a sense of divine, overwhelming grief.
The transition into the brisk, medieval folk rhythm of 'Saltarello' which breaks the preceding atmospheric tension.
The stark, lonely opening notes of 'Severance' that showcase Brendan Perry's resonant and mournful baritone.
Reviews

How does A Passage in Time sound next to the rest of Dead Can Dance's catalogue?

Soprano+4.0σ

The vocals lean far further into soprano than the rest of the catalogue.

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