
A high-gloss pivot into digital funk and satirical character studies. Hyper-kinetic synths meet slap-bass grooves in a neon-lit, cinematic travelogue.
April 29, 1988 · EMI
A high-energy, satirical romp through digital funk that occasionally pauses for moments of cinematic grandeur.
How does Aliens Ate My Buick sound next to the rest of Thomas Dolby's catalogue?
The writing leans far further into humor satire than the rest of the catalogue.
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