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All Back to the Mine
Electronic · 2001 · 20 tracks

All Back to the Mine

Moloko

A vibrant compilation showcasing Moloko's tracks re-imagined by various electronic artists, delving into house, deep house, and downtempo grooves. It highlights Róisín Murphy's distinctive vocals with

July 2, 2001 · Echo

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"All Back to the Mine" invites you to a sophisticated electronic journey, where Moloko's signature blend of playful vocals and intricate melodies is refracted through the lens of house, deep house, and downtempo remixes. This isn't just a collection of B-sides; it's a curated exploration of their sound's dancefloor potential and atmospheric depth. Expect shimmering synths, infectious basslines, and Róisín Murphy's voice soaring and weaving through expertly crafted grooves. It's an essential listen for anyone who loves Moloko's originals and wants to hear them transformed into fresh, club-ready anthems or introspective late-night gems. Own it for its seamless blend of familiar artistry and innovative electronic reinterpretation.

Tracklist · 20 Tracks
01
The Time Is Now (DJ Plankton mix)
10:32
02
The Flipside (Herbert’s Surround Sound mix)
6:42
03
Pure Pleasure Seeker (Todd Edwards Pleasure for Life UK vocal)
7:00
04
Dominoid (Panty Sniffer mix)
7:16
05
Sing It Back (Mousse T’s Feel Love mix)
6:05
06
Indigo (Robbie Rivera’s Dark mix)
7:34
07
Pure Pleasure Seeker (Oscar G’s Cuba Libre dub)
5:35
08
The Flipside (Swag’s Mocoder dub)
5:13
09
Knee Deepen (Salt City Orchestra edit)
4:52
10
Sing It Back (Can 7 1930’s mix)
2:20
11
The Time Is Now (Bambino Casino mix)
12
Lotus Eaters (Ashley Beedle’s Funk in Your Neighbourhood mix)
13
Party Weirdo (Wackdown mix)
14
Fun for Me (Plankton’s Pondlife mix)
15
Indigo (All Seeing I Glamoloko edit)
16
Lotus Eaters (Luke Vibert’s Plug mix)
17
The Flipside (DJ Krust dub)
18
Where Is the What (Wonderbook mix)
19
Pure Pleasure Seeker (Pizzicato mix)
20
Day for Night (Quarter Master mix)
Moments Worth Listening For
The unexpected shift into a driving four-on-the-floor beat on a track originally more downtempo, showcasing the remixer's vision.
A deep house remix where Róisín Murphy's vocals are stretched and looped into an ethereal, hypnotic refrain, creating a new emotional core.
The moment a dub-infused breakdown introduces unexpected percussive elements, transforming a familiar melody into something entirely new.
A particularly inventive bassline in a disco-influenced remix that completely re-energizes the original track's foundation.
Where This Album DepartsEach spoke is a trait. The orange shape shows where this album pulls away from — or holds to — the rest of the artist’s catalogue. Tap for more.

How does All Back to the Mine sound next to the rest of Moloko's catalogue?

Ethereal+3.7σ

The vocals lean far further into ethereal than the rest of the catalogue.

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