
A noir-pop reimagining that trades orchestral grandeur for pulsing analog synths and midnight solitude. Angel Olsen's voice floats through a neon-lit dream.
April 9, 2020 · Jagjaguwar
This remix by Johnny Jewel transforms the cinematic, orchestral maximalism of the original 'All Mirrors' into a sleek, minimalist piece of electronic noir. Gone are the soaring string sections and the explosive percussion; in their place is a steady, hypnotic pulse of analog synths and the warm, grainy texture of tape saturation. It sounds like the aftermath of a grand drama, where the lights have dimmed and only the internal monologue remains. Olsen’s voice, which usually commands the center of a room, here feels like it is drifting through a cavernous, neon-lit space, caught between a whisper and a haunting echo.
How does All Mirrors (Johnny Jewel remix) sound next to the rest of Angel Olsen's catalogue?
The instrumentation foregrounds modular synth far more than the catalogue usually does.
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