
This is the sound of a city exhaling.
All the King's Horses captures Grover Washington, Jr. at a pivotal moment, bridging the gap between hard-bop complexity and the accessible, rhythmic soul that would define the Kudu and CTI era.
It feels like walking through a metropolitan park at sunset: there is a sense of motion and energy, but it is tempered by a deep, resonant cool. The production is rich and golden, with every instrument given room to breathe within the pocket.
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