
A high-gloss collision of Stock Aitken Waterman’s Hi-NRG production and Summer’s legendary gospel-trained power. Pure late-eighties dance-pop euphoria.
1989 · PMT (2)
This album represents the ultimate late-eighties pop makeover, where the 'Queen of Disco' met the 'Hit Factory' of Stock Aitken Waterman. The result is a high-octane, neon-drenched collection of dance-pop that feels both machine-tooled for the charts and deeply soulful. While SAW were often criticized for a cookie-cutter approach, Donna Summer’s voice is far too powerful to be contained by a formula. She brings a level of gospel-trained authority and emotional weight to these tracks that her younger contemporaries simply could not match.
How does Another Place and Time sound next to the rest of Donna Summer's catalogue?
Euphoric saturates this record a touch more than the artist's norm.
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