HomeColeman HawkinsAt Ease With Coleman Hawkins
At Ease With Coleman Hawkins
Jazz · 1960 · 8 tracks

At Ease With Coleman Hawkins

A masterclass in late-night restraint. Hawkins trades his usual muscularity for a breathy, romantic intimacy that feels like a private conversation in a dark room.

1960 · Moodsville

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This is the sound of a legend exhaling. While Coleman Hawkins is often celebrated for his technical prowess and the Hawk persona, At Ease finds him in a rare state of repose. It is an album designed for the hours after midnight, where the world slows down and the only thing that matters is the rich, honeyed tone of a tenor saxophone. The production is incredibly intimate; you can hear the mechanical click of the keys and the soft intake of breath, making the listener feel as though they are sitting mere feet from the bell of the horn. The rhythm section, featuring the elegant Tommy Flanagan on piano, understands the assignment perfectly. They never push or pull; they simply drift alongside Hawkins, providing a velvet backdrop for his melodic explorations. There is no aggression here, only a deep, soulful warmth that radiates from the speakers. It is the kind of record that does not demand your attention with fireworks, but earns it through sheer emotional resonance and atmospheric consistency. Owning this album is like owning a piece of quietude. In a catalog as vast as Hawkins', At Ease stands out as a dedicated mood piece that refuses to be hurried. It is perfect for those who find beauty in the spaces between notes and the subtle textures of a vintage recording. It is less a display of jazz virtuosity and more a testament to the power of a single, well-placed tone to evoke a lifetime of memory and romance.

Tracklist · 8 Tracks
01
For You, for Me, Forevermore
6:10
02
While We're Young
3:35
03
Then I'll Be Tired of You
5:11
04
Mighty Like a Rose
4:04
05
At Dawning
4:41
06
Trouble Is a Man
5:28
07
Poor Butterfly
6:08
08
I'll Get By (As Long as I Have You)
6:39
Moments Worth Listening For
The way Hawkins lingers on the opening note of For You, For Me, For Evermore, letting the vibrato bloom slowly.
The subtle, brush-led percussion on While We're Young that provides a soft cushion for the saxophone's deep register.
Tommy Flanagan's understated piano solo on Then I'll Be Tired of You, which maintains the album's hushed intimacy.

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