
A satirical high-gloss anthem of consumerist excess, pairing squelching analog synths with Chris Keating's charismatic, list-heavy vocal delivery.
June 6, 2009 · Wichita
Audacity of Huge is a quintessential artifact of the late 2000s indie-dance crossover, a track that manages to be both a genuine floor-filler and a biting piece of social satire. Built around a thick, rubbery analog synth line that feels physically tactile, the song captures the specific 'bloghouse' energy of its era: polished, slightly neon-tinted, and relentlessly rhythmic. It sounds like the interior of a high-end boutique being invaded by a sweaty warehouse party, blending the sophisticated production of James Ford and Jas Shaw with a chaotic, playful edge.
How does Audacity of Huge sound next to the rest of Simian Mobile Disco's catalogue?
The vocals lean far further into falsetto than the rest of the catalogue.
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