
Ball of Eyes is the definitive sound of 1970s European cool, a record that feels like a high-speed chase through a neon-lit Brussels in a vintage Citroen.
Marc Moulin’s Fender Rhodes provides the spine of the album, offering liquid, shimmering textures that bridge the gap between traditional jazz improvisation and the emerging world of electronic experimentation.
It is music that demands a certain level of sophistication from the listener, rewarding those who pay attention to the interlocking rhythms and the subtle, dry production that makes every snare hit feel like a physical tap on the shoulder.
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