HomeKim CarnesBarking at Airplanes
Barking at Airplanes
Pop · 1985 · 6 tracks

Barking at Airplanes

Gritty, sandpaper vocals meet high-gloss 1985 synthesizers. A cinematic collection of mid-tempo pop that feels like a neon-lit noir film in the rain.

Find on Amazon

It's like a neon-lit private eye movie where the detective is a world-weary pop star.

A sophisticated, late-night restlessness that balances high-tech polish with raw emotional grit.

Barking at Airplanes · vs · Kim Carnes
Reverb Heavy+1.6σ

The production is pushed notably harder into reverb heavy than this artist usually allows.

Tracklist · 6 Tracks
03
Begging for Favors (Learning How Things Work)
4:52
06
Don't Pick Up the Phone (Pick Up the Phone)
4:24
10
Oliver (A Voice on the Radio)
3:49
11
I Am a Camera
5:11
12
Make No Mistake, He's Mine (Solo version)
4:13
13
Forever
3:58
Moments Worth Waiting For
The robotic, hypnotic repetition of the title phrase in I Am a Camera creating a sense of detached observation.
The gritty, defiant vocal delivery on Forever where the rasp breaks into a vulnerable plea for permanence.
The sudden shift from cold synth textures to the raw, solo emotionality of Make No Mistake, He's Mine.
Sits BesideSee all
Light House
Light House
Kim Carnes
1986

Shares synth-pop, new wave, pop rock (subgenres); raspy, breathy, intense (vocal style)

Café Racers
Café Racers
Kim Carnes
1983

Shares synth-pop, new wave, pop rock (subgenres); reverb_heavy, digital_clarity, studio_polished (production style)

Boy in the Box
Boy in the Box
Corey Hart
1985

Shares synth-pop, new wave, pop rock (subgenres); reverb_heavy, digital_clarity, studio_polished (production style)

Voyeur
Voyeur
Kim Carnes
1982

Shares synth-pop, new wave, pop rock (subgenres); reverb_heavy, digital_clarity, studio_polished (production style)

First Offense
First Offense
Corey Hart
1983

Shares synth-pop, new wave, pop rock (subgenres); reverb_heavy, digital_clarity, studio_polished (production style)

Fields of Fire
Fields of Fire
Corey Hart
1986

Shares synth-pop, new wave, pop rock (subgenres); reverb_heavy, digital_clarity, studio_polished (production style)

Romance Dance
Romance Dance
Kim Carnes
1980

Shares synth-pop, new wave, pop rock (subgenres); mysterious, restless, bittersweet (moods)

Leather Jackets
Leather Jackets
Elton John
1986

Shares synth-pop, new wave, pop rock (subgenres); digital_clarity, studio_polished, drum_machine (production style)

Shadows
Shadows
Lilly Wood and The Prick
2015

Shares mysterious, wistful, restless (moods); keys/synth, drum machine, electric guitar (instrumentation)

Man on the Line
Man on the Line
Chris de Burgh
1984

Shares synth-pop, new wave, pop rock (subgenres); reverb_heavy, digital_clarity, studio_polished (production style)

Cassette uses generative AI to enrich its catalog. How we use AI →