
Intricate baroque concertos where mathematical precision meets human warmth. From bird-like recorders to a revolutionary harpsichord solo, it is pure structural joy.
2008 · Philips Classics
This collection of Bach's fourth through sixth Brandenburg Concertos offers a fascinating study in instrumental contrast and structural brilliance. Beginning with the light, pastoral air of the Fourth Concerto, the listener is greeted by the playful, bird-like chirping of recorders and a virtuosic violin that dances through the texture. It feels like a spring morning in a well-ordered garden, where every leaf and stem has a designated place in the grand design. The mood is one of intellectual playfulness, where the complexity of the counterpoint never weighs down the inherent buoyancy of the melodies.
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