
Sixteen tracks of high-gloss country-pop that redefined the genre. Massive arena-rock drums, stacked vocal harmonies, and hooks that refuse to leave your head.
November 4, 1997 · PolyGram
Relentlessly optimistic and fiercely confident with a playful, self-assured edge.
How does Come On Over sound next to the rest of Shania Twain's catalogue?
The production is pushed notably harder into maximalist than this artist usually allows.
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