
Sophisticated Brazilian-infused jazz from 1981. Vaughan's liquid-velvet voice glides over sun-drenched samba rhythms and lush, polished arrangements.
1981 · Pablo Today
Copacabana is the sound of a master at the absolute peak of her technical powers, finding a second home in the rhythms of Brazil. Released in 1981, it captures Sarah Vaughan during her fruitful late-career period on Pablo Records, where she traded the smoky jazz clubs of New York for the breezy, sun-soaked streets of Rio. The album feels like a warm breeze at dusk: elegant, slightly humid, and deeply inviting. It is not just a jazz singer performing bossa nova; it is a complete synthesis of American vocal sophistication and South American rhythmic complexity.
How does Copacabana sound next to the rest of Sarah Vaughan's catalogue?
Golden Hour saturates this record far more than the artist's norm.
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