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Criminal
Singer-Songwriter · 1997 · 2 tracks

Criminal

Fiona Apple

Fiona Apple's breakout single, "Criminal," is a sultry, piano-driven alt-pop anthem from 1997, showcasing her distinctive alto, confessional lyrics, and jazz-inflected rock arrangements.

September 16, 1997 · Clean Slate

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"Criminal" is the sound of late-night introspection mixed with defiant self-acceptance. It's a smoky, piano-led groove that pulls you into its orbit with a magnetic force. Fiona Apple's voice, a masterclass in raw vulnerability and seductive power, navigates themes of guilt, desire, and identity with an unflinching honesty that resonates deeply. This isn't just a song; it's a mood, a confession, and an anthem for anyone who's ever felt a little "bad, bad girl" or "bad, bad boy" for simply being themselves. Own it for its timeless blend of jazz sophistication, rock grit, and unparalleled lyrical depth.

Moments Worth Listening For
The iconic, slinky piano riff that opens the song and underpins its entire structure, immediately establishing its seductive and slightly uneasy tone.
The powerful shift in vocal delivery during the chorus, where Apple's voice moves from a breathy croon to a more assertive, almost belting declaration of 'I've been a bad, bad girl.'
The subtle yet effective electric guitar flourishes that weave through the verses, adding texture and a touch of bluesy grit without overpowering the piano.
The bridge section, where the instrumentation briefly pulls back, allowing Apple's raw vulnerability to shine through before the full band returns with renewed intensity.
Where This Album DepartsEach spoke is a trait. The orange shape shows where this album pulls away from — or holds to — the rest of the artist’s catalogue. Tap for more.

How does Criminal sound next to the rest of Fiona Apple's catalogue?

Peak Energy+2.3σ

It runs far hotter than this artist's baseline.

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