
Crying is the definitive document of the Big O at his most emotionally resonant.
It is an album that feels like a velvet curtain closing on the rowdy rockabilly of the 1950s and opening on a new, more sophisticated era of pop drama.
The sound is defined by a deep, cavernous reverb that makes every guitar pluck and vocal sigh feel like it is echoing through an empty ballroom. It is music for the solitary, for those who find a strange kind of comfort in the grandiosity of their own sorrow.
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How does Crying sound next to the rest of Roy Orbison's catalogue?
This album stays in step with the catalogue across the board — no axis departs enough to be worth its own note. Hover the dots to see where each one sits.
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