
Dramatic synth-pop anthems and rain-slicked art rock. A collection of cinematic hits defined by Midge Ure’s operatic vocals and icy, neon-lit melodies.
1995 · EMI Music Canada
The sound of 1980s European sophistication. It is the sonic equivalent of a trench coat worn under a flickering streetlamp in Berlin during the height of the Cold War. The music is built on a foundation of cold, precise synthesizers and motorik rhythms, yet it is shot through with an almost desperate human warmth that prevents it from ever feeling truly robotic. Midge Ure’s vocals are the undeniable centerpiece of this collection. Unlike the detached, monotone delivery favored by many of their synth-pop peers, Ure brings a theatrical, operatic intensity to every track. This compilation captures the band at their commercial and creative peak, where they successfully married the experimental edge of art rock with the accessibility of the Top 40, creating something that felt both massive and intimate. Owning this album is about embracing the New Romantic ideal: the belief that pop music can be both intellectually stimulating and unashamedly dramatic. It is a collection designed for the listener who finds a strange kind of beauty in grey skies, wet pavement, and industrial landscapes. It provides an essential soundtrack for moments of solitary reflection, late-night travel, and the kind of cinematic longing that only grand, analog synthesizers can properly evoke.
How does Dancing With Tears in My Eyes sound next to the rest of Ultravox's catalogue?
The writing leans far further into love lost than the rest of the catalogue.
Cassette uses generative AI to enrich its catalog. How we use AI →