
Soulful gospel loops meet heavy big beat house. A high-energy plea for unity built on rolling breakbeats and filtered acid squelches.
December 10, 2001 · Skint
Drop the Hate represents Norman Cook at a fascinating crossroads, moving away from the cartoonish maximalism of his late-90s hits toward a deeper, more soulful house sound. The track is anchored by a powerful gospel vocal loop that repeats the title like a secular prayer, creating a hypnotic effect that works just as well in a dark club as it does on a massive festival stage. It is less about the wacky samples of his earlier work and more about the sustained groove, utilizing filtered acid lines that bubble up through the mix to provide a constant sense of forward motion.
How does Drop the Hate sound next to the rest of Fatboy Slim's catalogue?
Uplifting saturates this record far more than the artist's norm.
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