
Sophisticated 1950s jazz-chanson where upright bass and brush drums meet cynical Parisian wit. A smoky, late-night journey through Gainsbourg's early beatnik years.
1996 · Mercury (2)
Du jazz dans le ravin captures the precise moment when Serge Gainsbourg was the coolest man in Paris, long before he became its most notorious provocateur. This is the sound of the Rive Gauche in the late 1950s: smoky, intellectual, and deeply rooted in the 'cool jazz' aesthetic imported from America but filtered through a distinctly French literary sensibility. The music is characterized by its restraint, relying on walking upright bass lines, delicate brushwork on the drums, and Gainsbourg's own baritone, which oscillates between a smooth croon and a rhythmic, almost spoken-word delivery. It feels like a private performance in a basement club where the air is thick with tobacco smoke and existential philosophy.
How does Du jazz dans le ravin sound next to the rest of Serge Gainsbourg's catalogue?
Dive Bar saturates this record far more than the artist's norm.
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