
A four-track excursion into hypnotic, reverb-drenched psychedelia. Dense layers of analog guitars and motorik rhythms create a focused, late-night haze.
November 10, 2014 · A Records (4)
This EP is a masterclass in the Berlin era of the Brian Jonestown Massacre, where Anton Newcombe traded the chaotic sprawl of his early years for a more disciplined, hypnotic precision. It sounds like a midnight walk through a cold European city, where the neon signs are reflected in puddles and the air is thick with the smell of old tape machines and expensive reverb units. The music doesn't demand your attention with aggression; instead, it lures you in with repetitive, motorik-lite grooves and layers of shimmering 12-string guitars that feel like they could spiral on forever.
How does +-EP sound next to the rest of The Brian Jonestown Massacre's catalogue?
The vocals lean notably further into harmonized than the rest of the catalogue.
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