Jazz · 1969

Epistrophy

Steve Lacy's 1969 album, "Epistrophy," is a dedicated exploration of Thelonious Monk's compositions, showcasing Lacy's soprano saxophone in a quartet setting. It balances Monk's melodic and harmonic s

1969 · BYG Records

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Immerse yourself in the intricate world of Steve Lacy's "Epistrophy," a masterful tribute to Thelonious Monk's genius. This album feels like a late-night conversation in a dimly lit jazz club, where Lacy's soprano saxophone, with its distinct voice, lovingly deconstructs and reinterprets Monk's iconic melodies. The quartet's interplay is nothing short of symbiotic, creating a warm, full sound that invites deep listening. It's an album for those who appreciate the intellectual rigor of jazz improvisation coupled with the soulful, sometimes playful, spirit of Monk's compositions. A revelation for both Monk devotees and free jazz explorers, it's a timeless piece that rewards repeated listens.

Moments Worth Listening For

The initial statement of a Monk head, where Lacy's soprano sax delivers the familiar melody with a slightly altered phrasing, hinting at the improvisational journey to come.

A particular piano solo by Michel Graillier that deftly navigates Monk's harmonic landscape while engaging in a call-and-response with Lacy's saxophone.

Moments where the rhythm section, especially Jean-François Jenny Clark's bass and Aldo Romano's drums, shifts subtly from a steady swing to a more abstract, free-form pulse, propelling Lacy's solos into new territory.

The album's closing track, where the quartet brings a Monk composition to a surprisingly serene yet unresolved conclusion, leaving a lasting impression.

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