
Polished 2000s soul-pop meets the dancefloor. A collection of sleek, bass-heavy remixes centered on Mick Hucknall’s critique of superficiality and fame.
July 2003 · simplyred.com
This isn't the 'Holding Back the Years' era; this is Simply Red at their most rhythmically assertive and digitally crisp. The Fake single captures a specific moment in the early 2000s when soul-pop transitioned from organic instrumentation to the high-gloss sheen of the club circuit. It feels expensive, meticulously engineered, and undeniably groovy. It is the sound of a veteran artist reclaiming his independence by leaning into the dance music that influenced his early Manchester days. The production is characterized by a heavy emphasis on the low end, with slap-bass lines that feel both retro-funk and modern-club. Hucknall's voice remains the centerpiece, but here it is treated as an instrument of rhythm as much as melody. The remixes provide a fascinating look at how a single pop hook can be dismantled and reassembled for different environments, from the smooth R&B swing of the radio edit to the driving, garage-influenced house of the club mixes. It is a sophisticated, adult-oriented dance record that manages to be both cynical in its lyrics and celebratory in its sound. You should own this if you appreciate the intersection of blue-eyed soul and sophisticated electronic production, or if you want to hear one of the UK's greatest vocalists operating with total creative freedom outside the major label system.
How does Fake sound next to the rest of Simply Red's catalogue?
Playful saturates this record far more than the artist's norm.
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