
A dark, expansive orchestral tapestry defined by tragic choral arrangements and sharp, brassy tension. Howard captures the shadows of 1920s Paris with gothic elegance.
November 9, 2018 · WaterTower Music
This score represents a significant tonal shift from the whimsical wonder of its predecessor. James Newton Howard trades the playful, bouncy themes of magical creatures for a much more somber and operatic palette. It feels like a descent into a more dangerous world, where the magic is no longer a source of joy but a tool for manipulation and war. The music is thick with atmosphere, often feeling like it is emerging from a thick Parisian fog, using low-register strings and woodwinds to create a sense of constant, underlying dread.
How does Fantastic Beasts: The Crimes of Grindelwald (Original Motion Picture Soundtrack) sound next to the rest of James Newton Howard's catalogue?
The writing leans far further into mythology than the rest of the catalogue.
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