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Frontlines
Electronic · 2016

Frontlines

Zeds Dead

A collision of soaring melodic synths and heavy, syncopated bass. GG Magree’s ethereal vocals anchor a high-octane festival anthem that feels both bright and defiant.

September 16, 2016 · Deadbeats

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Frontlines represents a shimmering, high-definition peak in the mid-2010s electronic landscape. It is an album that balances the raw, jagged edges of bass music with the polished, emotional resonance of pop-leaning future bass. The sound is defined by its massive scale: the synths are wide and bright, the drums are punchy and precise, and the vocal performance by GG Magree provides a human heart to the digital machinery. It feels like the sonic equivalent of a city skyline at night, where the coldness of the architecture is softened by the warmth of the lights and the movement of the people below.

Moments Worth Listening For
the way the delicate piano melody suddenly gives way to a wall of shimmering sawtooth synths
the first drop where the vocals are chopped into rhythmic, melodic stabs that mirror the bass
the bridge where the percussion drops out completely, leaving GG Magree's voice suspended in reverb before the final build
Where This Album DepartsEach spoke is a trait. The orange shape shows where this album pulls away from — or holds to — the rest of the artist’s catalogue. Tap for more.

How does Frontlines sound next to the rest of Zeds Dead's catalogue?

Hi Fi+4.0σ

The production is built around hi fi than this artist usually allows.

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