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Full Circle
Jazz · 2002

Full Circle

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Imagine the smooth, sophisticated hum of a 1970s urban night, infused with the warmth of soul and the intricate rhythms of jazz.

"Full Circle" is Leon Thomas's journey into a more accessible sound, where his distinctive voice, known for its yodeling and glottal stops, finds a comfortable home amidst polished funk grooves and soulful melodies.

It's an album that feels both familiar and subtly adventurous, perfect for unwinding, reflecting, or simply letting the good vibes flow. This is the sound of an artist expanding his reach, delivering a collection that's rich in personality and brimming with understated energy.

Moments Worth Listening For
The prominent, propulsive basslines by Richard Davis, particularly on tracks leaning into the funk groove, providing a strong sense of forward momentum.
Moments where Leon Thomas's distinctive vocalizations, like his glottal stops or subtle yodeling, are skillfully woven into more accessible pop and soul melodies, elevating them beyond typical covers.
The overall cohesive blend of 'best funk session players' creating a tight, energetic backing that allows Thomas's voice to shine with authority on the commercial tracks.
Any specific instrumental breaks or solos that highlight the sophisticated musicianship of the backing band, particularly the keys or horns, within the soul-jazz framework.

How does Full Circle sound next to the rest of Leon Thomas's catalogue?

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This album stays in step with the catalogue across the board — no axis departs enough to be worth its own note. Hover the dots to see where each one sits.

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