Geronimo is an unapologetic explosion of 2010s indie-pop energy, built around the kind of massive, communal hooks that demand to be shouted by thousands of people at once. At its core is a sense of reckless, joyful abandon: the musical equivalent of standing on a high ledge and finally deciding to jump.
The production is dense and shimmering, layering bright synthesizers over a percussive foundation that feels more like a heartbeat than a drum kit. It is music that refuses to acknowledge the existence of cynicism, opting instead for a relentless, technicolor optimism.
How does Geronimo sound next to the rest of Sheppard's catalogue?
This album stays in step with the catalogue across the board — no axis departs enough to be worth its own note. Hover the dots to see where each one sits.
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