
Lush, Luther Vandross-produced soul that wraps Warwick's intellectual alto in velvet synthesizers and sophisticated 1980s urban pop arrangements.
September 29, 1983 · MAX (2)
A sophisticated and polished exploration of mature love and the quiet dignity of moving on.
How does How Many Times Can We Say Goodbye sound next to the rest of Dionne Warwick's catalogue?
The instrumentation foregrounds keys/synth notably more than the catalogue usually does.
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