Life Between the Exit Signs

Recorded in 1967 and released in 1968, 'Life Between the Exit Signs' marks Keith Jarrett's debut as a leader, introducing the 'American Quartet' rhythm section of Charlie Haden and Paul Motian. While Jarrett was already known for his work with Charles Lloyd, this Vortex subsidiary release allowed him to explore a piano trio format that bridged the gap between the lyrical impressionism of Bill Evans and the harmolodic freedom of Ornette Coleman. The album is notable for its lack of the 'vocalizations' that would later define Jarrett's style, focusing instead on a raw, dry studio sound. Haden's influence is palpable through his deep, folk-inflected bass drones, while Motian's drumming moves away from time-keeping toward pure texture. This record serves as a crucial historical document, showcasing a transitional period in jazz where the boundaries between bop and the avant-garde were becoming increasingly porous.