HomeMorrisseyLive at Earls Court
Live at Earls Court
Rock · 2005 · 18 tracks

Live at Earls Court

March 29, 2005 · Attack Records (3)

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Live at Earls Court captures Morrissey at a unique intersection of his career, standing as a triumphant homecoming for an artist who had recently reclaimed his cultural relevance with You Are the Quarry.

The sound is massive, characterized by a muscular, rock-forward band that trades the delicate jangle of his earlier years for a thick, distorted wall of sound.

It feels like a celebration of survival, where the intimacy of his lyrics is projected onto the scale of an eighteen-thousand-seat arena. The crowd is as much a part of the instrument as the guitars, their collective voice providing a haunting, communal backdrop to his singular baritone.

Tracklist · 18 Tracks
01
How Soon Is Now?
4:36
02
First of the Gang to Die
3:49
03
November Spawned a Monster
5:16
04
Don’t Make Fun of Daddy’s Voice
2:57
05
Bigmouth Strikes Again
3:21
06
I Like You
4:37
07
Redondo Beach
4:07
08
Let Me Kiss You
3:37
09
Subway Train / Munich Air Disaster 1958
3:16
10
There Is a Light That Never Goes Out
4:50
11
The More You Ignore Me, the Closer I Get
3:53
12
Friday Mourning
4:32
13
I Have Forgiven Jesus
4:06
14
The World Is Full of Crashing Bores
3:55
15
Shoplifters of the World Unite
3:21
16
Irish Blood, English Heart
2:50
17
You Know I Couldn’t Last
7:10
18
Last Night I Dreamt That Somebody Loved Me
3:57
Moments Worth Listening For
The deafening roar of 17,000 people when the opening tremolo chords of How Soon Is Now? finally kick in
The vulnerability in his voice during Everyday Is Like Sunday when the crowd takes over the chorus entirely
A particularly biting piece of stage banter that transitions perfectly into a high-energy Irish Blood, English Heart

How does Live at Earls Court sound next to the rest of Morrissey's catalogue?

ATMMOOPRONRGLYR

This album stays in step with the catalogue across the board — no axis departs enough to be worth its own note. Hover the dots to see where each one sits.

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