
A pocket opera of clockwork rhythms and Dadaist absurdity. Nyman's signature staccato strings meet surrealist storytelling about bus tickets and British tea.
It's a minimalist opera about a guy obsessed with bus tickets, and it's way catchier than it has any right to be.
A restless and intellectually playful exploration of the mundane through high-energy minimalist structures.
The writing leans far further into surreal abstract than the rest of the catalogue.
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