HomeMiles DavisMiles Davis and the Modern Jazz Giants
Miles Davis and the Modern Jazz Giants
Jazz · 1959 · 5 tracks · 42m

Miles Davis and the Modern Jazz Giants

A high-tension meeting of jazz titans. Shimmering vibraphones collide with jagged piano chords and Miles's signature detached trumpet in a smoky, nocturnal atmosphere.

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Friction and transition

Cold, sharp trumpet notes hang in the air like smoke, cut through by the metallic ring of a vibraphone and jagged piano chords. You are sitting in a dark room where giants are testing each other, trading tense, late-night phrases that feel both fragile and dangerously alive.

Tracklist · 5 Tracks · 42m
01
The Man I Love (take 2)
8:00
02
Swing Spring
10:46
03
’Round About Midnight
5:25
04
Bemsha Swing
9:33
05
The Man I Love (take 1)
8:30
Moments Worth Waiting For
01The Man I Love (take 2)The piano completely drops out during the trumpet solo on 'The Man I Love (take 2)', exposing a stark, confrontational silence.
04Bemsha SwingThe angular, percussive piano chords on 'Bemsha Swing' push against the steady, driving pulse of the rhythm section.
Sits BesideSee all
Miles Davis and Milt Jackson Quintet / Sextet
Miles Davis and Milt Jackson Quintet / Sextet
Miles Davis
1955

Shares hard bop, vibraphone, bebop, cool jazz (signature)

The Sound of Sonny
The Sound of Sonny
Sonny Rollins
1957

Shares bebop, cool jazz, upright bass, instrumental_only (subgenre)

Two Drink Minimum
Two Drink Minimum
Terrace Martin
2024

Shares cool jazz, upright bass, instrumental_only, live_recording (subgenre)

2 Guitars
2 Guitars
Kenny Burrell
1957

Shares bebop, cool jazz, upright bass, live_recording (subgenre)

Inventions & Dimensions
Inventions & Dimensions
Herbie Hancock
1964

Shares cool jazz, upright bass, instrumental_only, live_recording (subgenre)

Notes From the Underground
Notes From the Underground
Medeski, Martin & Wood
1992

Shares trumpet, upright bass, instrumental_only, live_recording (instrumentation)

New Friends
New Friends
Fred Wesley
1990

Shares bebop, trumpet, upright bass, instrumental_only (subgenre)

Very Personal
Very Personal
Houston Person
1981

Shares hard bop, cool jazz, upright bass, instrumental_only (signature)

First
First
峰厚介
1970

Shares cool jazz, upright bass, instrumental_only, live_recording (subgenre)

Where the Ragged People Go
Where the Ragged People Go
Shining
2001

Shares cool jazz, tense, upright bass, instrumental_only (subgenre)

Reviews
Critic Consensus

Critics were widely enthusiastic, and the album drew broad acclaim.

The Rolling Stone Album Guide5/ 5 stars
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Entertainment WeeklyA
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AllMusic5/ 5 stars

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