HomeSeafretMost of Us Are Strangers
Most of Us Are Strangers
Folk · 2020 · 12 tracks · 43m

Most of Us Are Strangers

Twelve tracks of maritime indie folk defined by percussive acoustic guitars and a voice that sounds like it's fighting through a North Sea gale.

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It's like a warm sweater for your soul when the world feels a bit too cold and distant.

A hauntingly beautiful exploration of human distance set against a backdrop of coastal isolation.

Most of Us Are Strangers · vs · Seafret
Vulnerable+1.6σ

Vulnerable saturates this record notably more than the artist's norm.

Tracklist · 12 Tracks · 43m
01
Most of Us Are Strangers
3:43
02
Be My Queen
3:23
03
Why Do We Stay
3:52
04
Fall
3:04
05
Magnetic
2:59
06
Girl I Wish I Didn't Know
4:20
07
Love Won't Let Me Leave
4:15
08
Monsters
3:33
09
Can't Look Away
3:35
10
Lie to Me
3:29
11
Loving You
3:15
12
Unbreakable
3:59
Moments Worth Waiting For
The title track's opening guitar line that feels like a cold wind hitting your face
The sudden swell of percussion in 'Monsters' that breaks the acoustic tension
That fragile high note in 'Fall' that sounds like it might snap at any second
Sits BesideSee all
Give Me Something
Give Me Something
Seafret
2014

Shares percussive guitar, ocean, falsetto, indie folk (signature)

The Optimist LP
The Optimist LP
Turin Brakes
2001

Shares falsetto, indie folk, acoustic folk, chamber pop (signature)

Work
Work
SYML
2020

Shares falsetto, indie folk, acoustic folk, chamber pop (signature)

Australia
Australia
Howie Day
2000

Shares indie folk, acoustic folk, chamber pop, vulnerable (subgenre)

Storm
Storm
Heather Nova
2003

Shares ocean, indie folk, acoustic folk, chamber pop (atmosphere)

We Don't Eat
We Don't Eat
James Vincent McMorrow
2011

Shares falsetto, indie folk, acoustic folk, cabin_in_woods (signature)

Could We Survive
Could We Survive
Joseph Arthur
2008

Shares indie folk, acoustic folk, chamber pop, vulnerable (subgenre)

Greetings From the Side
Greetings From the Side
Gary Jules
1998

Shares indie folk, acoustic folk, chamber pop, vulnerable (subgenre)

I Will Internalize
I Will Internalize
Martha Wainwright
2005

Shares indie folk, acoustic folk, chamber pop, vulnerable (subgenre)

Born in the Eighties
Born in the Eighties
Milow
2012

Shares percussive guitar, indie folk, acoustic folk, chamber pop (signature)

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