
Thirty tracks of power-pop perfection, spanning witty B-sides, earnest covers, and suburban vignettes that prove their "throwaway" material is most bands' career best.
June 22, 2005 · Real Gone Music
Out-of-State Plates feels like a sprawling, sun-drenched scrapbook of the American suburbs. While many compilations feel like a random assortment of leftovers, this double-disc set plays like a cohesive journey through the wry, observant minds of Adam Schlesinger and Chris Collingwood. It captures a specific kind of East Coast ennui, where the mundane details of life: business trips, failing relationships, and local celebrities: are elevated to the status of high art through shimmering melodies and crystalline vocal harmonies. The album oscillates between high-gloss power pop and intimate, almost demo-like acoustic sketches, giving the listener a sense of being invited into the band's private workshop.
How does Out-of-State Plates sound next to the rest of Fountains of Wayne's catalogue?
The vocals lean notably further into harmonies than the rest of the catalogue.
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