Pop Music / False B‐Sides

Pop Music / False B-Sides is a masterclass in the beauty of the unfinished.

While Baths' debut album Cerulean was a vibrant explosion of maximalist glitch-pop, this compilation pulls back the curtain to reveal the quiet, skeletal foundations of Will Wiesenfeld's sound. It sounds like a series of intimate polaroids: slightly overexposed, warm around the edges, and deeply personal.

The primary voice here is the piano, often recorded with enough proximity that you can hear the mechanical thud of the keys and the hiss of the room, creating a sense of physical presence that digital music often lacks.