Rejoicing

Released in 1984 on ECM, Rejoicing represents a pivotal moment in Pat Metheny's discography, moving away from the 'Americana' fusion that defined his early success. The album is a trio collaboration featuring bassist Charlie Haden and drummer Billy Higgins, both of whom were alumni of Ornette Coleman’s seminal groups. This choice of personnel is central to the album's identity, as it serves as both a tribute to and an exploration of Coleman's compositions (covering 'Lonely Woman', 'Tears Inside', and 'Rejoicing'). Sonically, the album is much drier and more 'acoustic' in feel than Metheny's group efforts, though he still utilizes his signature electric tone. The record is notable for its range, spanning from accessible blues-inflected bop to the experimental 'The Calling', which features Metheny using a Synclavier to create more abrasive, avant-garde textures. Critics often cite this as one of Metheny's most 'pure' jazz recordings, showcasing his formidable chops in a traditional setting while maintaining his unique melodic voice.