
A transition from gothic rock into a monastic, neoclassical world. Heavy with timpani, cellos, and liturgical reverb that feels ancient and subterranean.
November 25, 1985 · MG Records (2)
A profound, ritualistic solemnity that balances intellectual rigor with emotional haunting.
How does Spleen and Ideal sound next to the rest of Dead Can Dance's catalogue?
The instrumentation foregrounds cello far more than the catalogue usually does.
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