Standing Together

Released in 1998, Standing Together represents George Benson's continued evolution within the GRP Records aesthetic, further cementing his role as the architect of modern smooth jazz. Following the success of 'That's Right', this album leans further into vocal-led R&B while retaining the signature Ibanez guitar flourishes that made him a legend. Produced largely by Paul Brown, a titan of the smooth jazz format, the record features a high level of session craftsmanship. Notably, the album includes 'Poquito Spanish, Poquito Funk', which showcases Benson's ability to integrate Latin rhythms into his soulful framework. The closing track, 'You Can Do It, Baby', serves as a rhythmic centerpiece, highlighting his enduring connection to the funk and dance traditions of his earlier career. Critical reception generally praised the album's impeccable production and Benson's evergreen vocal charm, though some jazz traditionalists noted the heavy tilt toward adult contemporary pop. It remains a fan favorite for its consistency and 'feel-good' energy.