
Sunday at the Village Vanguard is the sound of three musicians breathing as one.
It is a landmark of 'democratic' jazz, where the piano, bass, and drums operate on equal footing rather than a soloist supported by a rhythm section.
The atmosphere is thick with the specific energy of a New York basement club in 1961: you can hear the audience murmuring, the rattle of silverware, and the clinking of ice, all of which ground the ethereal, impressionistic music in a tangible reality.
It feels like eavesdropping on a private, highly intellectual conversation that is nonetheless deeply emotional.
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