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Swords
Rock · 2009

Swords

A collection of muscular B-sides from Morrissey's mid-2000s renaissance, blending biting wit with grand, theatrical rock and tender, piano-led laments.

October 26, 2009 · Polydor (2)

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Swords captures the lost chapters of Morrissey's 21st-century comeback, a period where his sound grew heavier and more confrontational. Unlike his earlier, jangle-pop sensibilities, these tracks lean into a dense, guitar-driven wall of sound, courtesy of producers like Jerry Finn and Tony Visconti. It feels like a late-night confession in a dimly lit pub: half aggressive posturing, half vulnerable reflection. The collection moves from the snarling, politically charged energy of tracks like Ganglord to the fragile, orchestral beauty of Christian Dior, proving that his secondary material often carried more emotional weight than his radio-ready singles.

Moments Worth Listening For
The sudden, jarring transition from the delicate piano of My Life Is a Succession of People Saying Goodbye to the snarling guitars of the next track.
The way Morrissey's voice breaks into a weary sigh during the final refrain of Munich Air Disaster 1958.
The cinematic, sweeping strings that elevate Christian Dior from a simple B-side to a grand fashion-world tragedy.
The menacing, low-slung bassline of Ganglord that creates a sense of urban dread before the explosive chorus.
Reviews

How does Swords sound next to the rest of Morrissey's catalogue?

Solitude+0.9σ

Solitude saturates this record a touch more than the artist's norm.

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