Taming the Tiger
A late-career jazz-folk exploration defined by smoky, low-register vocals, Wayne Shorter's floating saxophone, and the unique, synthesized textures of virtual guitar.
A late-career jazz-folk exploration defined by smoky, low-register vocals, Wayne Shorter's floating saxophone, and the unique, synthesized textures of virtual guitar.
Late-night meditation
Low, smoky vocals drift through a forest of synthesized virtual guitar and late-night saxophone. You are listening to a quiet, late-career watercolor, painted in shades of cool jazz and digital mist.
A heavy wash of reverb heavy production wraps the arrangements in a vast, liquid space, a dramatic departure that transforms her signature intimate acoustics into a series of glowing, distant mirages.
The album was warmly received for its lush, jazz-inflected instrumentation and its gentle reflections on love and aging. However, some reviewers felt the songwriting was occasionally weighed down by cynicism toward the music business, while others found the electronic production a bit dense.
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