Tasmania
A shimmering collision of synth-funk grooves and eco-anxiety. Polished psychedelic pop that dances through the dread of a changing world.
March 1, 2019 · P-Vine Records
A shimmering collision of synth-funk grooves and eco-anxiety. Polished psychedelic pop that dances through the dread of a changing world.
March 1, 2019 · P-Vine Records
Tasmania is a vibrant, neon-soaked exploration of the end of the world. It sounds like a party at the edge of a cliff, where the music is so infectious you almost forget the ground is crumbling. Pond has traded their earlier garage-rock fuzz for a high-gloss, synth-heavy production that feels both futuristic and deeply rooted in the glam-rock traditions of the 1970s. The basslines are thick and funky, the drums are punchy and compressed, and Nick Allbrook’s falsetto floats above it all like a ghost in the machine.
How does Tasmania sound next to the rest of Pond's catalogue?
The writing leans notably further into social commentary than the rest of the catalogue.
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