The 2nd Law
A maximalist collision of stadium rock, funk, and electronic experimentation. High-concept songs about entropy delivered with operatic vocals and jagged synths.
September 26, 2012 · Warner Records
A maximalist collision of stadium rock, funk, and electronic experimentation. High-concept songs about entropy delivered with operatic vocals and jagged synths.
September 26, 2012 · Warner Records
The 2nd Law is the sound of a band throwing every available sonic resource at the wall to see what sticks, resulting in a thrillingly chaotic collage. It is a record that feels like a frantic channel-surf through the anxieties of the early 2010s, jumping from the slap-bass strut of 80s funk to the aggressive, mechanical wobbles of dubstep without a moment's hesitation. The atmosphere is one of high-stakes drama, where even a song about a newborn child is treated with the same symphonic weight as a global energy crisis.
How does The 2nd Law sound next to the rest of Muse's catalogue?
The production is built around maximalist than this artist usually allows.
Cassette uses generative AI to enrich its catalog. How we use AI →