HomeSufjan StevensThe Age of Adz
The Age of Adz
Electronic · 2010 · 11 tracks · 1h 14m

The Age of Adz

A maximalist, glitch-ridden electronic odyssey that trades acoustic banjos for apocalyptic synthesizers, frantic drum machines, and towering orchestral arrangements.

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Electronic departure

A wall of sputtering, neon synthesizers and frantic drum machines suddenly replaced the quiet woodwinds and gentle banjo plucks of the American Midwest. This record is a feverish, maximalist pivot born from physical illness and the apocalyptic, obsessive illustrations of outsider artist Royal Robertson. Instead of polite acoustic folk, you are plunged into a chaotic digital swamp where brass sections collide with glitchy, erratic beats. It feels like a brilliant mind short-circuiting in real time, trading historical narratives for raw, desperate love songs. It proved that a quiet storyteller could scream through machines and still break your heart.

The Age of Adz · vs · Sufjan Stevens
Processed+3.7σ

The vocals lean far further into processed than the rest of the catalogue.

Tracklist · 11 Tracks · 1h 14m
01
Futile Devices
2:11
02
Too Much
6:44
03
Age of Adz
8:00
04
I Walked
5:01
05
Now That I’m Older
4:56
06
Get Real Get Right
5:10
07
Bad Communication
2:24
08
Vesuvius
5:26
09
All for Myself
2:55
10
I Want to Be Well
6:27
11
Impossible Soul
25:35
Moments Worth Waiting For
11Impossible SoulThe 25-minute closing track 'Impossible Soul' morphs through five distinct movements, shifting from autotuned electronic pop to a celebratory, choir-led dance party.
01Futile DevicesA deceptive, quietly plucked acoustic guitar on 'Futile Devices' opens the album, offering a brief moment of familiar intimacy before the electronic onslaught begins.
The apocalyptic imagery and visual aesthetic of the album are directly inspired by the artwork of schizophrenic artist Royal Robertson.
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Reviews
Critic Consensus

While some reviewers found the album's sprawling length and chaotic intensity somewhat exhausting, critics broadly admired its raw, vulnerable ambition. Ultimately, the record was welcomed as a complex and deeply rewarding departure that, despite dividing listeners who missed the artist's gentler folk style, offers a captivatingly honest experience for those willing to invest the time.

musicOMH
“This is an extravagant and undisciplined album that is nearly impossible to digest”
The Independent4/ 5 stars
“Sounds for all the world like a Sufjan Stevens album – part pop, part performance art, part mad professor. How he makes them is irrelevant now. The man can do no wrong”
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PopMatters
“The Age of Adz is occasionally transfixing, but overall inconsistent”
The Quietus
“Stevens seems stuck between a rock and a hard place, trying to please the faithful while at the same time needing to stretch himself creatively”
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Uncut
“When he calls off the artillery, The Age Of Adz can be stunning”
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Spin7/ 10
“Unspools over a significantly greater amount of time - 75 minutes - than the material warrants”
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The Line of Best Fit
“This album is a sumptuous mix of lo-fi percussion, off-kilter beats and sweeping instrumentation that have re-invigorated Stevens’ sound”
Drowned in Sound
“An audacious, eminently enjoyable offering from a singer whose deep reserves of curiosity and invention show little sign of dwindling”
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Consequence of Sound
“The Age of Adz will divide not just audiences but individuals, making them itch for the comfort of Stevens’ banjo and unflustered, literary demeanor on the one hand, while making them thankful for his honesty and ambition on the other”
Pitchfork8.4/ 10
“Another long-form work that requires-- and rewards-- time and devotion”
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Tiny Mix Tapes
“The whole album is a gorgeous mess, and you’ll immediately want to be dragged through it all over again”
Sputnik Music
“One of the great, poetically inspiring burnout albums for our new time”
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