There Is Nothing Left to Lose
A warm, melody-focused pivot recorded in a Virginia basement. Less about the scream and more about the shimmer, it captures a band finding their collective breath.
November 1, 1999 · Roswell Records
A warm, melody-focused pivot recorded in a Virginia basement. Less about the scream and more about the shimmer, it captures a band finding their collective breath.
November 1, 1999 · Roswell Records
A sun-drenched, relaxed warmth replaces the tense aggression of the past as the newly formed trio retreats to a basement in Virginia. Trading massive walls of distortion for clean, slightly overdriven guitars and intricate vocal harmonies, the record lets its melodies drift and breathe with a patient, suburban ease. It is a sophisticated, melody-focused collection that trades stadium-sized post-grunge shouting for a comfortable, organic groove.
How does There Is Nothing Left to Lose sound next to the rest of Foo Fighters's catalogue?
Golden Hour saturates this record far more than the artist's norm.
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