
Nineteen tracks of manic, accordion-driven indie pop. A hyper-literate debut where existential dread and catchy melodies collide in a 1980s Brooklyn basement.
It's like a caffeinated philosophy lecture delivered by a guy with an accordion.
A manic, intellectual energy that masks deep existential anxiety with bright, accordion-led melodies.
Basement Show saturates this record notably more than the artist's norm.
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