
A charmingly intimate debut of piano-led Swedish indie pop, balancing whimsical brass arrangements with bittersweet, self-harmonized vocal melodies.
March 21, 2007
A bright, sunlit optimism laced with a gentle, introspective melancholy.
How does Though, I’m Just Me sound next to the rest of Maia Hirasawa's catalogue?
Sunday Morning saturates this record far more than the artist's norm.
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