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To Be True
R&B / Soul · 1975 · 1 track

To Be True

Harold Melvin & The Blue Notes

1975 · Philadelphia International Records

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Harold Melvin & The Blue Notes' "To Be True" is a quintessential journey into the heart of 1970s Philadelphia Soul, a sound defined by its opulent orchestral arrangements and deeply emotive vocals.

Released in 1975, this album showcases the masterful production of Kenneth Gamble and Leon Huff, who crafted a sonic landscape both sophisticated and raw. At its core is the commanding baritone of Teddy Pendergrass, whose voice imbues every track with a profound sense of romantic yearning, hope, and occasional melancholy. The album seamlessly blends the lush, string-laden ballads with vibrant, dancefloor-ready disco and funk grooves, creating a rich and dynamic listening experience.

Tracklist · 1 Track
08
It’s All Because of a Woman
5:29
Moments Worth Listening For
The dramatic entrance of Sharon Paige's alto vocals on "Hope That We Can Be Together Soon," creating a poignant call-and-response with Pendergrass.
The infectious, propulsive bassline and sharp horn arrangements driving the disco energy of "Bad Luck" from its first beat.
The soaring, layered string section that elevates the emotional intensity during the chorus of a deep ballad, enveloping Pendergrass's voice.
The intricate, syncopated percussion and wah-wah guitar licks that provide a funky backbone to tracks like "Where Are All My Friends."
Where This Album DepartsEach spoke is a trait. The orange shape shows where this album pulls away from — or holds to — the rest of the artist’s catalogue. Tap for more.

How does To Be True sound next to the rest of Harold Melvin & The Blue Notes's catalogue?

VOCMOOATMNRGINS
Baritone+0.8σ

The vocals lean a touch further into baritone than the rest of the catalogue.

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