Tormato

Released in 1978, Tormato represents the end of an era for Yes, being the final studio effort from the 'classic' lineup until the mid-1990s. Recorded during a period of internal friction and without an outside producer, the album is characterized by its controversial production - a thin, highly compressed sound that emphasizes the mid-range. This sonic profile was largely due to the band's experimentation with new technology, specifically the Birotron, a tape-loop keyboard that gave the record its signature brittle texture. Despite the mixed critical reception, which often targeted the 'cluttered' arrangements and the whimsical lyrical themes, the album was a massive commercial success, reaching platinum status quickly. It serves as a fascinating bridge between the symphonic prog of the early 70s and the more streamlined, pop-adjacent sounds the band would explore in the 1980s. Key contributions include Chris Squire's pioneering use of the Mu-Tron III envelope filter on his bass, which redefined his tone for this specific era.